This turmoil occurs against the backdrop of the political disruptions of the 2011 Egyptian Revolution, which led to extensive civil unrest, the killing and wounding of civilians and the arrest and torture of protesters and activists. As young girls in Cairo, Anna and Layla strike up an unlikely friendship that crosses class, cultural, and religious divides. It probably goes without saying that one of the core realisations that both girls have to eventually confront is that those two complications are intertwined. (Not until maturity did one realize after reading Ariel Dorfman’s How to Read Donald Duck [1971] that Donald Duck and Babar were part of the capitalist and imperialist conspiracy. I also learned a bunch to boot. Lissa is an eminently teachable text, and it was clearly designed with the classroom in mind. Something we hope you'll especially enjoy: FBA items qualify for FREE Shipping and Amazon Prime. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Their friendship is put to the test when these medi. a cartoon depiction of her experience taking care of her aging parents from Brooklyn. Lissa’s artists use yet another device: One artist drew Layla, the other, Anna, and their drawing styles are different. "Revolution is as intimate as family and as mammoth as regime change in this graphic novel focused on the 2011 Tahrir Square demonstrations. Essential reading for the graphic medicine community. Anna is a white American with a love of photography, living with her family in Egypt and attending an American International school at which her mother teaches, and her father works for an oil firm. There are Q&A interviews with the book’s creators on their research, the process of creating a graphic novel, and the medical realities behind the stories (amongst other things). But the book is also much more than that, including extensive supplementary material that explores the motivations behind the project, the processes through which it came into being, a documentary about the making of the book and a useful teaching guide. Wayang kulit, the shadow-puppet theater of Java and Bali, is a dramatic form using schematic forms of representation. Unable to add item to List. The bottom right panel shows them hugging and the Anna character sobbing (“:sob:”). Movies are basically compulsory: Their relationship with the viewer is not to let up, to keep the viewer sitting on the edge of the seat, transfixed, from beginning to end. The point applied to Lissa is that Anna and Layla, composite-fictional to begin with, are even more powerful as characters because they are cast as cartoons, as diagrams. Individuals of high rank (Arjuna, Sita) can be differentiated from others of their rank by their distinctive head ornaments and ear decorations. Frida Kahlo did that to show her own pain, prompting Andre Breton to welcome her as a surrealist; but she said she was not a surrealist and did not paint dreams or nightmares, but her own reality. Lissa is a graphic novel about the friendship between two teenage girls: Anna and Layla. How architects make time in buildings for later life care, ‘The student experience’ and the remaking of contemporary studenthood: A critical intervention, Reaching in: Meaning-making, receiving context and inequalities in refugees’ support networks, Punk is just a state of mind: Exploring what punk means to older punk women, Making something out of nothing: Breaching everyday life by standing still in a public place, Unwaged labour intensified: Volunteer management and work targets at a UK charity, ‘Neoliberal feminism’: Legitimising the gendered moral project of austerity. I am slightly embarrassed to confess that I have never read a graphic novel before – not out of some kind of intellectual snobbery, but simply as a result of the habitually text-based world in which I live and work. Start by marking “Lissa: A Story about Medical Promise, Friendship, and Revolution” as Want to Read: Error rating book. These authors told their stories with a beauty and sensitivity that is hard to find in this day and age. Hamdy’s first book Our Bodies Belong to God: Organ Transplants, Islam, and the Struggle for Human Dignity in Egypt (University of California, 2012) received Honorable Mention from the 2013 Clifford Geertz Prize. ", "With the University of Toronto’s imprimatur and its ethnoGRAPHIC series, surely there are no more excuses not to expand what counts as professional, promotion-worthy ethnography. In most cases, items shipped from Amazon.com may be returned for a full refund. ", "A visually compelling and sensitively presented work that demonstrates how juxtaposing sequential art with narrative can render extremely complex global processes and phenomena into a gripping human story. In persuading his children not to donate organs, Abu Hassan tells them that ‘God, in His Perfect Wisdom, created us whole. Let us know what’s wrong with this preview of, Published Reviewed in the United States on March 9, 2018. Lissa is the first book of the University of Toronto Press’s new series called EthnoGRAPHIC, which will be a series of books in graphic form. Like most great books, Lissa allows the reader to bring different meanings and needs to the book, engaging them in multiple conversations that explore the ways in which we are connected." We eagerly turn the page to see what happens next. This latter was made in collaboration with graphic artist, Charlotte Bailey, and translates a published article into comic form in order to make visible the long tradition of Black critical thought on racial stigma that has been otherwise marginalised. Anna fears the gene for the cancer is also in her, and explores the option of getting a preventive mastectomy. event on 10/14 to view the film for free & hear from Katie herself: https://bit.ly/3nF2GmN. It is especially useful for units on time, labor, the body, and for disrupting the science/religion binary. Ethnographic Terminalia, an exhibition of artwork by anthropologists and others who create art, has become an institution at the AAA. She is currently working on a Young Adult graphic novel about a Muslim-American girl’s experiences growing up in New York (with Beirut-based illustrator Myra El-Mir), under contract with Penguin. For one, the art style isn’t the type that typically attracts me, because it is the sort of style that one would generally associate with books geared to a much younger audience. Reviewed in the United States on February 28, 2018. Since graphic novels aren’t exactly their specialty, I suppose there is the tendency from the average comix reader to assume that these people couldn’t possibly know the first thing about publishing a quality graphic novel and would, very likely, produce something that is quite subpar. Comic Art Studies (yes, it is a field!) Lissa, the Publication of a “Graphic Novel”. These pages supplement a graphic novel which is already an interesting and enjoyable text, and make it into a truly noteworthy addition to the burgeoning field of graphic medicine, bioethics, and medical memoir.

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