But Cortot and Arrau? Unless there are original documents that prove otherwise, then the recording date for the Welte rolls must be February 1910, as indicated on some of the surviving roll labels, and reported by Charles Davis Smith, to whom I have referred. Oliver Neighbour. (Adherence to these is needed for Good Article or Featured Article consideration, and is apparently a common reason for nominations being quick-failed.). Scriabin toured and gave concerts. I have put some information on piano rolls, and references, under the "Performers and Legacy" heading, and I have amended the text in the "Media" section accordingly. What's the truth? Cheers.—InternetArchiveBot (Report bug) 02:18, 1 July 2017 (UTC), Scriabin is just such an important, outstanding composer. Becaus ei comment on his meek and effeminate nature? 54 Composed By – Scriabin* B – Schoenberg*, The Los Angeles Philharmonic Orchestra (*Strings)* Conducted By Zubin Mehta: Transfigured Night, Op 4–(1943 Revised Version) Composed By – Schoenberg* his handshake was squishy? Substituted at 07:13, 29 April 2016 (UTC). Piano Concerto, Op.42 (Schoenberg, Arnold) This work is likely not in the public domain in the US (due to first publication with the required notice after 1924, plus renewal or "restoration" under the GATT/TRIPS amendments), nor in the EU and those countries where the copyright term is life+70 years. 67/1 and Op. All in all, I agree that the comment is unnecessary, but only to who are familiar with all three composers. In music, the mystic chord or Prometheus chord is a six-note synthetic chord and its associated scale, or pitch collection; which loosely serves as the harmonic and melodic basis for some of the later pieces by Russian composer Alexander Scriabin.Scriabin, however, did not use the chord directly but rather derived material from its transpositions. My memory of this conversation could be wrong, because this was quite a few years ago. (By extending my thumb to a nearly 90 degree angle from my hand and my pinky to a 45 degree angle, I can accurately reach the next two white keys past that octave)Marksman45 03:52, 12 March 2006 (UTC). Schoenberg’s philosophical justification for serialism was just as reliant on New Agey psychobabble as Scriabin’s cosmic harmonies were. A separate section (perhaps on "Personality and Philosophy" including the similarly misplaced "Philosophy" subsection under "Music") would be more appropriate. The Wikipedia article flatly says Scriabin failed his composition classes and did not graduate. My initial addition on Scriabins possible homosexual encounters where removed because someone was unhapy, now yet another person has deemed my additions 'unworthy'. But whatever advancements he made, or methods he invented, they were mere tools to what he sought to express and not rules to follow religiously above all else. Stewy5714talk 21:30, 21 November 2007 (UTC). Ahh, now i see, unverifiable and unencyclopedic. Measures 263–264 are shown below. His late works are harsh, dissonant, and emphasize texture, to be sure, but he never actually used serialism and I don't think the modernist ideal of creating a completely "new" musical system as associated with Schoenberg and the modernist movement was his goal. (In fact, I am relying on Wikipedia for the "standard" spelling of foreign, transliterated names - maybe not a good idea?) If the mono sound quality was not as restrictive as it is toward high-end frequencies, this would be the greatest Pelleas & Melisande ever recorded, so fiery and intense is the nature of Mitropoulos' interpretation; it lifts one out of his/her chair. The reputation of conductor Dimitri Mitropoulos hit a rough patch toward the end of his life. 4 / The Poem Of Ecstasy Op. Music & Arts credits the performance of Schoenberg's Op. info). I feel it does not give enough information about his later career and that it could be sectioned better. "Half a dozen years or so after Scriabin's death, Schoenberg came up with the principle of ordering and Hauer with the principle of partitioning as a means of differentiating representations of the universal set of twelve pitch classes from one another, the foundational requirement for a twelve-tone system. Here we say it came from a shaving cut. Repress from 1968 ('grooved' labels + J.T. Richard Taruskin. I am currently reading Faubion Bowers' biogrpahy of the composer and a pattern is emerging of my additions being altered, or else completely eradicated! The Second Viennese School: Schoenberg, Berg, Webern 40. Following several discussions in past years, these subpages are now deprecated. The issues I have are relatively minor, and have more to do with form than content. My full review is on the comments page; questions and comments should be left here or on my talk page. (Note that since many 20th-century works are copyrighted, it may not be possible to acquire more than brief fair use samples of those works, but efforts should be made to do so.) More and more I see all these composers pages filled with questioning their sexuality. The comment(s) below were originally left at Talk:Alexander Scriabin/Comments, and are posted here for posterity. These sources are at least as important as external links. Well, it can be verified by Faubion Bowers biography of the composer. I note that Scriabin at one time lived in Paris, but I have not found any more detail. If an article is well-cited, the reviewer is assuming that the article reflects reasonably current scholarship, and deficiencies in the historical record that are documented in a particular area will be appropriately scored. This might be useful for those who are not familiar with the work of all composers involved. Why was my addition on Scriabin's chracter removed!? Why exactly is it here? If appropriate, does it include Further Reading or Bibliography beyond the cited references? Magic♪piano 13:45, 26 March 2009 (UTC), This section is turning into something of a catch-all. I also think that, for research purposes and for transparency, it would be nice if somewhere in the fine print of articles such as this with transliterations which may be questioned there was a brief note as to how/when/by whom a potentially controversial transliteration was arrived at.
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